Additions to the Wovensouls Antique Textile Gallery – Tribal Bags

A few tribal bags that were acquired on my travels…..

Some are  bags originally used by tribals. Others are made using antique or vintage tribal textiles. All gorgeous. All very chic. And each piece is one of a kind.

Sling bag with antique beaded textile with Jobs Tear seeds from Hilltribe of Northern Thailand

Exquisitely hand-woven antique sling bag from the hilltribes of Northern Thailand, accessorized with beads and tassels

Detailed images of these bags and about a dozen other bags showcased in the wovensouls gallery here!
jm
Sep 2012

Costumes of the First People – a visit to the Royal Ontario Museum

Feel like watching a fashion show?

Visit the Royal Ontario Museum and view their rexhibits on the costumes of the First People.
These works of textile art are housed at the Royal Ontario Museum, Toronto and allow us to visit a very fashionable past. Despite the toughness quotient of their clothing, the tribes of the first peoples of the North America paid special attention to dressing up their dressing. With articles that made them spectacular – feathers, quills, wool, skin and more!
A brief glimpse to whet the appetite for a view of that vanishing culture through a visit to the museum!

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jm

Sep 2012

Textile Art of South East Asia at the Asian Civilsations Museum

An album from a forgotten visit in 2007 to the Asian Civilisations Museum …. taken with a camera I do not even remember.

A photography experience that probably made me realise the disastrous results of ignorance of technology.

But even the bad images do not fail to convey a small glimpse of the beauty of the textiles.

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Pidans, dayak Beadwork, Suva tube skirt, and several other excellent pieces are available in the wovensouls gallery.

jm

July 2012

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Textile Art of Mizoram, The Lunglei Museum Collection

A walk through the textile & jewelry section of the Museum of Lunglei, the remotest town in the North Eastern state of Mizoram, India.

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Details of these pieces are available on request.

Contemporary Mizo skirts – the red-white and black Puans will be available on the Wovensouls website.

jm

June 2012

Latest Additions to the Antique Gallery – June 2012

Antique and Vintage acquisitions from the Dayak tribes from Sarawak, Sumatra and Kalimantan have been added to the Wovensouls galleries linked below:

Antique Textiles from Borneo

Antique Articles from Borneo

Also added are :

Contemporary Traditional Textile Arts Catalogue

If you wish to know more about any or would like to acquire any, please write in.

jm

June 2012

The Arunachali – the Hunter-Gatherer-Weaver

A handsome hunter

Tiny hamlets dot the Himalayan foothills of Arunachal Pradesh. Some lie along the winding roads while a large number are accessible only by foot paths taking as long as 3-5 days to reach.

These hamlets are few and far between and the percentage of land occupied by all the villages cumulatively will probably not cover more than 5% of the land available. The rest is covered by thick forests. Forests that sustain the small population.

The life philosophy of the people therefore, integrates their own lives with their surroundings and their model for life sustenance reflects their philosophy.

They conduct ‘jhoom’ farming to grow some of their grain, they hunt for food, they cut deadwood for fuel and housing and they weave what the clothing they need.

They are hunters, gatherers, weavers, farmers.

On the drive from Khonsa to Pasighat to Along to Daporijo to Ziro, in the afternoons, as I crossed hamlets, I’d come across women sitting in their porches and weaving on back-strap looms.

In the evenings as I’d approach a village I’d see men and women returning from the forest, their rattan head-strap back-baskets filled with millet or logs or other products from the forest.

And all through the day but more so after dark, I’d see solo men and solo women with rifles going out to acquire the next meal for their families.

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The new world is changing lives everywhere but it is refreshing to see a world that is moving at a leisurely pace and is in no hurry to catch up with anyone else.

Other articles on Arunachal Pradesh have been linked below:

Glimpses of a contented People

 Innovative housing

 A chance encounter with a Shaman Priest during a sacrifice ritual

The Gaanv Boodhas or Village Headmen of Arunachal Pradesh

Tribal signatures – Face Tattoos of the Apatanis

Fierce Nocte Headhunters

Head Hunting Trophies

 

Am Apatani shawl acquired directly from the weaver has been added to the wovensouls collection. Please click here to view it.

jm

Jan 2012

A night-out with the Nomads of Changthang


Dreamt of spending time with nomads for a long time. To experience their minimalistic lives,  to observe the mental strength with which they embraced the harshness of nature, to learn from their solitary non-community based living, to understand the near-absence of the need to possess material things, to keep moving tirelessly to unfamiliar new places out of their comfort zone….

An attempt last year to go to visit the nomads in eastern Tibet near Xining was a failure.

This September when I boarded the plane for Leh, I came looking  to experience the beautiful culture of Ladakh – the dances, the costumes, their traditions and the mentality of the people of the Ladakh valley, the Nubra valley and the Zanskaar valley.

But I did not expect to experience the life of the nomads of the Changthang – a desert region of Western Tibet that extends culturally beyond the political India-China border into Ladakh, India.

Here is the double threaded experience – with the nomadic children of Changthang and with a nomadic family  :

During the magnificent Ladakh festival, I watched the children of nomads perform on 2 days.

This was their very first performance before an audience – they had never performed before this, even within the comfort of their own school.

They had come from a school in a remote area in Changhthang  200 km away from Leh (of deep and treacherousHimalayan roads – not a 6 lane highway)  and 20 km from the nearest village.

Coming from nomadic families that moved constantly, no regular day-schooling was possible – hence a residential school was set up specifically for nomadic children aged 3 – 13.

Of all the cultural performances and events presented during the festival by the various folk groups of Ladakh, the most striking one was the one put up by these children, and much more noteworthy because it was their first performance ever.

They danced in complete happiness, and their glee and enjoyment was obvious through their eye contact with each other and the communicative smiles they shared amongst themselves.

They were having the time of their life as they danced, and as a result, we, the spectators enjoyed the biggest visual feast of the festival.

The idea of connecting with these children, struck me as I walked to my car after their final performance was over and everyone had gone home.

As the idea grew to obsess me, I realized that I had to act quickly otherwise I would lose the already slim chance of establishing contact.

It occurred to me that some lodging and boarding arrangements for this group (0f 50 kids) must have been made somewhere in Leh, and since the evening’s performance had ended at 8pm, my guess was that they would spend at least that night in Leh.

So my driver was given the assignment of finding out where these kids were housed. And the resourceful man that he was, the next morning he had the answer!

At that point, I had no clarity of  what I wanted out of this connection and hence no proposal or Plan A and Plan B, as taught to me at management school. I was going in completely blank and letting destiny unfold.

So at an appropriate time, under the guidance of my  driver, I presented myself at the government building in which they were housed, sought out the adult organisers – the teachers – and attempted to articulate my interest.

Am not sure whether my jumbled and excited expressions of my interest in culture, of my fascination of the nomadic lifestyle, of my naration of the un-forgettable experience with Kutchi nomads, my account of the failed visit to Tibetan nomads, my testimonials of awe of their textiles and jewelry, or my brief verbal biodata past work with the working on developmental skills of children made any sense to the teacher …but maybe my excitement at being able to interact with these beautiful little people did get conveyed effectively to him. Or maybe it was just his kind and generous nature that eventually let me have my way.

I went and sat with the kids who had gathered in the hall.  We chatted open heartedly. They talked about themselves. I talked about me. As I praised their dances, they got up, pulled me up and began teaching me the steps and we all danced around in a circle – them with natural grace and rhythm and me clumsily trying to follow their steps and their spirits.

I learnt that each had flocks of sheep or goats or yaks that numbered in hundreds. I asked what would happen if one gets lost – how do they track these animals. They replied almost in one voice, that if a sheep gets lost, it bleats and cries until it is re-united with the flock. As we sat on the floor in the dim light of a single 40 watt bulb, they told me of the wolves and the snow leopards they had seen. And of the 4 months of severe winter (-30 degrees C) they face. That most had not seen vegetables until they came to school, and how one of them cried when he was asked to eat a banana. The 13 year olds knew how to milk their goats and shear the wool off the sheep (I do not even have the right vocabulary for these activities!) and light fires using wood and call out to their flock with mere whistles. They know how to set up tents and how to assist in childbirths.

Instead of quenching my fascination, this chit-chat was leading to an explosion of awe, as I was getting more and more attracted by their lives.

Again, it took a brief moment to stop and realize that I could not let the interaction end here, and that I would have to push my way into their life some more.

And so I went back to chat with the teacher.  Over tea and biscuits, I said that I would like to visit the kids at the school. This request was unusual so he tried to understand it better and over the next half an hour I animatedly expressed my desire. Finally we agreed that I would visit the school the next day, arriving around the same time that the busload of kids would reach back. We agreed that I would spend the night at the school in one of the rooms and he wrote me a note of introduction for the lady teachers who were stationed at the school, since he planned to stay back in Leh and did not intend to return to the school for the next 2 days.

And so, the next day, dropping all other plans, I set off for their village, filled with happiness and gratitude. Carrying gifts of chocolates and photograph prints of their performance.

Tashi the resourceful driver, knew his way and after passing through golden landscapes lined by the Indus river, we arrived at the village at 5pm. The rest of the children who were not part of the Leh performance, were perched up on the walls of the school compound and on the gate and they greeted us with happy shouts – but it was not us they were waiting for.

They were eagerly waiting for the school bus to bring back their friends.  Soon enough this bus arrived and the happy reunions consisted of shouts and screams and animated chatter and some wild running about.

No teacher was in sight. Not on the bus and not on the premises of the residential school building.

The kids got together and unloaded the sacks of food raw material, the stoves, the kerosene, the packages of clothing and other materials used for the performances from the top of the bus, cooperating and collaborating as a single one unit.

The oldest child was 13. Only 13.

This endearing show of responsibility, this complete self-dependence – this format of no-nanny, no-adult-care-givers (on long distance journeys or within the hostel) – surprised and delighted me. It made me realize that in the urban world we place too much importance on our own roles as parents. Here I saw perfectly responsible kids who needed no one to tell them what to do or not do. They simply knew. And they did what was required without any direction from some authority above.

the youngest

The cook who had gone with the bus, found the lady teachers who lived in a separate building.  I showed them my note of introduction. After very hospitable chit chat, they took me to the school staff room that would be my sleeping room for the night. A mattress and a lamp were brought in and I was shown the Ladakhi toilets (this is a quaint eco-friendly system that I will describe later) that were in a different section of the building. Over tea and chit chat, a whole group gathered around us as we sat on the floor. Cooks, assistants and other teachers heard about the arrival and came in from their hostels.

I asked about the nomads that I had seen in the valley within a km of the school. I wanted to go spend time with them and asked if they knew the families. Fortunately one of the children of that family studied at this school. So we – the lady teacher in charge, another lady and I set – out for the valley along with my driver.

It was past sunset and the dusk chill had begun to set in as we walked through the grass dodging patches of yak dung and puddles left by the stream.

Walking in my constant breathless state, at this altitude of 14000 feet, carrying my beloved nikons and wearing heavy clothing wasn’t easy, but for this once-in-a-lifetime opportunity, I was willing to walk all night!

The first two families we came across were across the stream that was about 3 feet deep – this would mean wet shoes and clothes….so we walked further hoping that as the stream curved, we would find a family on the grassland on our side of the stream. Luckily we did.

As we approached, all I could see was a flock of long haired goats standing neatly in two rows with facing each other in a tight formation. I marveled at this discipline- that I thought was voluntary, until I was informed that they had been tied in this way for the night.

Milking the Pashmina goats

A few steps onward, I had my first sight of a nomadic scene : a lady all wrapped up in a cloak, milking the goats.

We’d hardly exchanged smiles when I noticed the little bundle on her back ….a baby!! She went about her daily milking jobs with this little bundle tied to her back. She was totally comfortable with his presence on her back – almost oblivious of his being a separate entity, and he seemed totally content to be an extension of her body -  a variant of the ‘baby bump’.

Washing vessels at the hot springs… along with her baby

Through all the interactions I had with the family over the next 12 hours, the baby-bump remained firmly in its place – whether the mother washed vessels in the stream or carried loads from one spot to another.

Over the week that followed I visited 2 other rural areas in Ladakh and this mother-child format was constant all across. The single and stark observation across these approximate 3 dozen toddlers that I encountered over a collective observation period of over 12 hours – is that I did not see a single episode of crying or tears or tantrums or bawling. This observation over a reasonable number of data points is so different from urban kids I encounter in buses and trains and planes or in parks and malls. My own 3 kids must never have spent 12 hours at a stretch without at least one of them shedding a few tears!  I wondered if this continuous physical bond with the mother made these nomadic children more settled.

But I am digressing…

Coming back to the mother milking the long haired Pashmina goats. Once the pail was full, the second lady in the family, the wife of the second brother, collected the milk and poured some of it into a  long goat skin  sack  called ‘Mashk’ about 4ft x 1 ft holding the narrow ends with her two hands. She held it in her lap and rolled it back and forth, back and forth repeatedly. This constant churning would result in butter floating to the top, which could then be collected and stored separately.  Each batch of milk needed to be churned for at least half an hour for any butter to appear and the longer the churning, the more complete the extraction.

Churning the milk in a goat skin ‘Mashk’ to obtain butter ….note the self woven Gabbeh rug on which the lady is seated

The family tent in which the lady sat  was probably  all of 50 square feet in area and about my height – which isn’t much at 5 feet something. This space had to hold them AND most of their material possessions – not for a week or two but for all their lives!  It shows me how my whining about living out of a suitcase on my travels is completely unjustified.

Outside the tent, hanging from one of the ropes was a large white wet pouch. It was being used to make cheese or laabo – that would be used during the harsh winter.

making cheese – “laabo”

A little fireplace at the centre held a large kettle – that probably held black tea that is had throughout the day. The fire had been put out for the night but the tent was extremely warm and cosy.

Ranchen Aangdu who let me in to his home and his life

His son

Two small gorgeous gabbeh rugs were immediately visible inside the tent – one on which the lady sat, and another on the opposite side. I need not have asked, but I did, simply to confirm whether these had been woven by the ladies themselves. And when they answered in the affirmative, I couldn’t believe that I was actually seeing a nomadic rugs being used by the nomadic family that had woven them!!

The gabbeh

This is a dream I have had since my rug collecting days – to visit a nomadic weaving tribe and see the origins of the weavings that I loved so passionately. And here I was in the very moment in which this dream was fulfilled. After years of fantasy, this thought had become a reality. It is not always easy to be aware enough  to grasp that a dream is fulfilled in the moment in which it happens – usually the realization dawns after the episode is no longer a ‘current’ event – but I was fortunate to be conscious of this dream being fulfilled in the very moment in which it happened. I was thrilled and I was grateful. I hope that this experience and the delight and the discovery of a dream fulfilled will remain etched in my memory forever.

After many happy hugs and clicks, after carrying the little chubby baby nomad, we finally left as it was late and the night had completely enveloped usBack to the school to spend the night.

Dinner with the 110 kids – A simple meal of masoor dal and rice – Cooked by the hostel ‘mothers’.

Woke up in the room with a view – the teacher’s staff room.

The children bathe once a week at the hot springs nearby. There is neither the physical nor the social need to bathe more often.

The environment and the circumstances dictate the lifestyle. Practices that  have evolved over generations within a system are usually mutually consistent, coherent and complete within their context and solve all the problems that the inhabitants of that system face. And there is no scope for criticism or judgement from elements outside the system since these criticisms usually only address a single dimension and do not provide more than a partial and incomplete solution.

Chatted with the nomadic children about their lives over breakfast. Had some fun in their dorms and fooled around a bit with them all.

Their lives have impacted me greatly and these hours spent in their presence will provide me with food for thought for a long time to come.

Packed and Left.

Stopped again on the way to say good-bye to the nomadic family in the field. Today they will move into another pasture as dictated by their council. Their time here is over. A hired car will take part of the family across, while the herd of 500 goats and a few donkeys and yaks will walk across the valleys between the Himalayas.

We will never meet again.

Am taking with me a little of their spirits. And leaving behind a little of my spirit.

Have amassed enormous wealth on this journey!

Am grateful.

The Gallery of professional nomadic portraits will be available in October on http://www.jainamishra.com.

jm

Sep 2011

More articles about Ladakh : ‘Costumes of Ladakh’, ‘Polo and Archery – Folk sports of Ladakh’, ‘Bactrian Camels of the silk route’, ‘Chamms Masked Dances of Ladakh’, ’10th century Alchi mural’



 

Exquisite Vintage Kebayas – the costume of the Peranakan culture


Peranakan, Baba-Nyonya and Straits Chinese are terms used for descendants of the very early Chinese immigrants to the Nusantara region of British controlled Malaya and the Dutch controlled Java among other places, who have partailly adopted Malay customs. A small group of Indian Peranakans (Chitty) and another group of Eurasian Peranakan (Kristang) also exist.

Over the centuries, a unique Peranakan culture evolved integrating Chinese traditions with the customs of the host country – Malaysia as well the cultures of the ruler from Europe. There are traces of Portugese, Dutch, British, Malay and Indonesian influences found in the lifestyle of the Peranakans that is particularly visible in the food, furniture, home interiors and clothing. Malacca and Penang are cities in which this disappearing culture is still visible.

The Peranakan Musuem of Singapore is exhibiting exquisitie antique Kebayas and Sarongs. The following images provide a glimpse of that exhibition.

Purple Kebaya with embroidery and cutwork created to match the bird and floral motifs of the print on the sarong. Mid 20th Century.

The floral print of the sarong that has been “translated” into the alternate art form  of embroidery & cutwork.

The feature that lends grace to the Kebaya – the V-shaped tapering front

The fragile feature that adds to the character of the Kebaya – the stiff stand-up embroidered collar that adds a third dimension to the dress.

Fragile Green Kebaya

Flamenco Dancer Kebaya

The motifs of flamenco dancers and matadors on this Kebaya are considered to be flamboyant!

The use of an inverted musical note in the embroidery might affirm  the importance of symmetry in creating Kebayas.

            

Dark Blue Kebaya with unusual figure motifs, mid 20th century

Simple Kebaya with Antelope motifs, mid 20th century

Sky Blue Kebaya with chicks, mid 20th century

Two Kebayas with cutwork, mid 20th century


White Lace Kebayas – all mid 20th century



Images presented here are all of  photographs and Kebayas exhibited at ACM, Singapore.

jm

April 2011

Conserving antique textiles

Antique textiles, as most textile collectors know, have inherent in them the twin problems of conservation and non-invasive display.

Objects that are investments of finances as well as passions, are highly vulnerable to the risk of deterioration presented by the elements and by the characteristics of the object itself. These risks can be hedged partially by good conservation techniques.

A few tips and techniques for preserving fragile textiles :

* An antique textile made of fragile material (e.g. silk, lace) is rarely ironed. If the material is strong ironing may be done at very low temperatures but without direct contact with the textile. A thin sheet of mulmul may be place over the antique textile to be ironed.

* Creases may be reduced using the cold poultice method. The textile in question from which creases need to be removed is laid out on a flat surface. A barrier of waterproof sympatex is laid over it. Next, a blotter paper or fabric layer dampened with deionised water is laid over the sympatex. Finally, weights such as flat glass or bags of lead beads are placed over the creased areas. This results in reduction of creases.

* Another method that may be used on colour-fast antique textiles is using an ultrasonic machine to disperse water in the form of a fine mist. This method may not be used with textiles that have fugitive dyes or with beads or other metal-based embellishments.

* In case there is a loss of warps or wefts in a particular area, patching is done to arrest further losses. Either an underpatch or an overlay may be used depending on the nature of the loss, to secure ans stabilise the fabric. Patches may be stitched on or glued on using adhesive that is actiavted by heat or solvent, depending on the strength of the fabric in question.

These tips are extracts from an article that appeared in The Straits Times.

jm

April 2011

Yak Horn textile adornments, Sikkim


Yaks must be much loved creatures since their owners – the Dokpas – who adorn them so fashionably!

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The behavior of yaks is best described in Heinrich Harrer’s book ‘Seven Years in Tibet’….

Some antique yak wook textiles are available in the Tibet Gallery of Wovensouls …click here to visit the page.

jm

march 2011